This is mutated dancehall at its peak - eccentric, minimalist and wigged-out - but ultimately both masterful and artful. In a year when commercial dancehall seems to have broken through to the masses, it's up to Jamaica’s most bizarre and innovative dancehall squad to push the genre to new heights in the underground. Recorded in a single day (with no rehearsal), Wisdom of Elders showcases immediate and vibrant interplay between musicians of the highest calibre - freely intertwining Nguni rhythms, Barbadian calypso and spiritual hymns, alongside the blues and Hutchings' Sun Ra-influenced Afro-futuristic sensibilities.
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London saxophonist Shabaka Hutchings, already a name well-established in the English free jazz scene, travels well beyond his comfort zone to South Africa to team with an ensemble led by legendary trumpeter MandlaMandla Mlangeni. Wisdom Of Elders | Shabaka And The Ancestors Kanye West's The Life Of Pablo, Swans' The Glowing Man, Frank Ocean's Blonde, Wormrot's Voices, Sumac's What One Becomes, Jessy Lanza's Oh No, Solange's A Seat At The Table. Brown continues to write rhymes that are sharp and baffling, but more than ever, he’s been able to personify the frightening world he paints with equally unhinged production. It’s chaotic, rebellious, whimsical and deservedly fitting for a man who never fit into any kind of hip-hop mold in the first place. The old adage of “he’s seen some shit” definitely applies to him, but while his previous album Old had him edging towards more accessible hip-hop production, Atrocity Exhibitionis all kinds of wild and destructive. The contrast of upbeat songs on the first half (or Side A for the vinyl enthusiasts) and ruminative ballads on the other is held steadfastly together by Olsen’s songwriting, and even as you can hear echoes of past music in her DNA, there’s something unique about Olsen’s exuberance and guts that make My Woman an essential listen in rock music circa 2016.ĭanny Brown’s eccentricities are easy to like if you like your hip-hop adventurous (which is a lot of hip-hop these days, tbh), but it becomes a tough pill to swallow when you begin to grasp the magnitude of violence and decadence in his lyricism.
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My Woman is a gripping, emotional rock record by Olsen, baring her vulnerabilities with the kind of fearless rock swagger that is wholly empowering.
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But not only could she build upon towering expectations with this new album, she went full wrecking ball on that shit. But, again, there was never really anyone like Bowie, was there?Īngel Olsen was already the victim of hype with the release of Burn Your Fire For No Witness in 2014. I’m not sure if we’ll ever get another recorded piece of work of such dizzying and unprecedented magnitude. The idea of a 69-year-old musician, on the brink of death with a terminal illness, still managing to grasp a way forward in music, denying himself his "evergreen" years to produce his best work since the 70s - it can only be Bowie. Musically, its stubborn refusal of rock ’n roll tropes in search of jazzy pastures makes it refreshing - not just within David Bowie’s sprawling discography, but it also serves as a natural continuation of jazz in popular music, following last year's sprawling Kendrick Lamar’s To Pimp A Butterfly. But it is exactly that that makes it my number one album on top of a pretty terrible year. The experience of listening to Blackstar at the time of release, then grappling it in the wake of his death, was a surreal and harrowing one. “ooo, uhh, ooo uhh, u geddit?” Ok time for lunch. Another thing I love about this record is the use of a wide palate of drum beats that drop in the pocket, double back and hit you hard, making you go “ uhh”. If you only have time for one track from this album, 'GLOWED UP' featuring the great Anderson. This album is a melting pot of really unique sounding synths and modulated vocals that bend, shift and filter in unexpected but pleasant ways, that make you go “ ooo”.
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I picture a nice bowl of beef stew with mini round potatoes, tidy chunks of tender beef, and a creamy peppery broth (pardon me, it's 2pm at time of writing and I haven’t had lunch). On sleepy afternoons, this album is the perfect pick-me-up. I wanna learn to move like him, and wear bell bottom pants. On a lighter note, Dev Hynes is a great dancer. Lyrical content wise, a meaningful and moving record chronicling oppressive racial and cultural struggles. Love how he weaves in multiple voices to create a distinct vocal sound throughout the record. Funk, 80s R&B, melodic hooks that I find myself waking up humming to in the morning.